“The Way Home” unfolds as a parallel narrative emerging from the emptiness left behind when the meaning of “home” as a place of emotional refuge is stripped away. Rather than depicting a literal return, the works of the two featured artists reflect a journey shaped by shifting identities and the fragmentary nature of relationships between individuals, society, and one’s evolving sense of self as the “other.” With 2 artists, Taweewit Kijtanasoonthorn employs a large format camera to capture inanimate objects encountered by chance, items broken off from wholeness, fragments that reveal the subtle distortions, and Anupong Charoenmitr presents a moving image work that invites viewers on a meditative journey toward a horizon of elusive hope, through a poetic visual language. Together, these works invite reflection not on the destination of home, but on the in-between, a space of tension, transformation, and unresolved searching. The Way Home is not about arriving, but about dwelling within uncertainty. It is an open passage one where viewers are prompted to reconsider what has been lost, and what still remains to be discovered in the varied and shifting relationships that shape our understanding of what it means to belong.